Dylan knew something was terribly wrong with the world in a way she could not fathom. As a child she had just trusted that things would work out and adults would show her the way. Everything had seemed inevitable and settled until then, but that summer she got acquainted with a new curl of doom that started her belly and spread to her fingers and toes and kept a constant white buzz in the back of her head.
On “Big Edie” Beale’s death bed her daughter “Little Edie” asked her if there was anything she wanted to say. According to Little Edie she replied “There’s nothing more to say, it’s all in the film.” Groundbreaking documentary filmmakers The Maysles Brothers presented Big and Little Edie Beale to the world in 1975 with the splendid documentaryGrey Gardens, a film that rivets you where you need to be riveted, if you’ve got the groove for it.
The first image I saw of Anna Schuleit’s 2003 art installation project Bloom was a sea of orange tulips, lit up as if they were made of glass, in an old room with an office chair floating among them and an old air conditioner window unit. It was otherworldly and transcendent, and then I read that it was in a mental hospital, and I fell in love with it.
Celebrated contemporary writer George Saunders’ stories are works of futuristic satire that sting with the dark truth of pessimism, but still have a moving sweetness at their core. Binging on his short stories is like binging on raspberries; they taste like candy, but they are still really good for you. While many of his stories are emotionally moving and infused with a thread of kindness, they are still quite dark. Uplifting isn’t exactly a word I think of when I… Read more »
“When you grow up, your heart dies.” That line from The Breakfast Club is so painfully true, it shatters me every time. The good news is that you can grow a new, improved one if you’re up for it. As we mature we learn hard truths about the world, and ourselves, our innocence shatters, and we feel betrayed by all the lies and misunderstandings we had as a child. We see how ruthless people can be, and how devastating hard it is to live your dreams or find any little scrap of happiness. Growing cold and bitter can seem like a perfectly reasonable response of a sensitive creature to a cruel world.
We all know grumpy older people, and may even feel that we are becoming one ourselves, but in reality it may actually be younger people, teenagers and twentysomethings, that struggle the most with blaming their problems on others, and having sour world views. You can make disillusionment work for you if you realize you don’t need illusions to begin with.
Mariel Hemingway is attempting the lift the “curse” of self-destruction that plagues her gifted and beautiful family. The patriarchal figure, Ernest Hemingway, whose golden words still seduce the masses, is at once a symbol of robust life, and of alcoholism, depression, and suicide. There is growing research that indicates these traits: alcoholism and mental illness are often linked to genetics. Of course, a toxic or emotionally unstable family life can lead to mood problems regardless of the genetics – whether it’s nature or nurture or a poison soup of both, madness tends to run in families. In Running From Crazy, a Barbara Kopple directed documentary film that came out last year and is now getting a run on Oprah’s OWN Network, Ernest Hemingway’s granddaughter Mariel Hemingway confronts her family’s decades-long curse of despair in an attempt to understand it and break free of it.
The “Boy with Apple” painting from Wes Anderson’s latest candy-coated dream “The Grand Budapest Hotel” is a character in of itself. Is this a centuries old painting, or what it commissioned for the movie?
In 2010 author Zadie Smith offered these 10 tips for writing as part of a project for The Guardian inspired by a similar list Elmore Leonard provided The NY Times 10 years earlier. Other authors participated in this exercise, but Zadie’s was the one I found on Tumblr today, and it stopped me dead in my tracks with it’s leveling wisdom. Numbers four, nine, and ten can apply to absolutely anything in life, but number three gets down to the core of it: “You can either write good sentences or you can’t.”
The Room’s auteur Tommy Wiseau is an American. That’s the first thing he’d probably want you to know about him. And he’s right, he is American, and like most Americans and their ancestors, Tommy is an immigrant, but he doesn’t like to talk about that. He’d prefer that fans of his magical film experience believe he’s from Louisiana, where he spent some time with his aunt and uncle before settling down in San Francisco in the 1970s, but his broken English and tangled accent are embarrassingly obvious tells. It’s been tracked down that Tommy was probably born in Poland and he has often said he spent a good part of his younger days in France, which accounts for his mixed accent. Most people would think nothing of mentioning their native country even if they want to keep some details private. For Tommy Wiseau, all details are private and the truth is something that you construct for yourself. Tommy isn’t interested in the wonderful mixing of cultures in the United States, instead he’s locked on with a vice-grip to an important American trope: The Self-Made Man. This dude is vampiric absurdist Don Draper who everyone knows is really Dick Whitman.
For Ushio Shinohara, one of the subjects of the 2013 documentary Cutie and The Boxer, art is more than a passion: it is a dire fight. Figuratively, yes. But also literally. He makes his signature pieces by strapping sponges to boxing gloves and aggressively attacking the canvas. The finished product is captivating and reflects the violence of its making, but watching Ushio making it is a visceral performance art in itself. The tiny self up against the vast and awful and sparkling world, fighting for a piece of it. Wanting to snatch the marrow out of it, wanting to eviscerate the disappointments of it. Wanting to be rewarded for the fight. Punching at the demon at his heels, making it stronger all the while. Ushio kind of likes his demons. We all do to an extent.