I Am the Pretty Thing That Lives in the House is a Netflix original ghost story that haunts more with its quiet beauty than with fear. It’s a love letter to the lyrically chilling Shirley Jackson and a study on the lonely emptiness of ghosts unable to move past the shock of death. We use ghosts to scare ourselves, to play on what we fear may be lurking in the shadows, to explain the memories of the dead that weave… Read more »

The general understanding of Murphy’s Law is, “Anything that can go wrong will.” We say this anytime anything sucks, like some mantra of pessimism. When Interstellar‘s Murph Cooper asks her dad why she was named after something bad, he explains with the original wording of Murphy’s Law, a version of “Whatever can happen, will happen.” This is the key to the entire film, plot holes and all.

SPOILERS ahead!

A large portion of the common stale well of advice we dip into and serve up to each other is to forsake regret. Contemplating untaken paths and unsnatched opportunities can leave us forlorn and stuck; staring endlessly into the limitless alternate worlds our imagination brews up for us. But these “might-have-been” world don’t actually exist, and getting distracted by them can take the color out of this life we have now. The Land of Regret is surely no place to reside, but does that mean we should abandon regret altogether?

On “Big Edie” Beale’s death bed her daughter “Little Edie” asked her if there was anything she wanted to say. According to Little Edie she replied “There’s nothing more to say, it’s all in the film.” Groundbreaking documentary filmmakers The Maysles Brothers presented Big and Little Edie Beale to the world in 1975 with the splendid documentaryGrey Gardens, a film that rivets you where you need to be riveted, if you’ve got the groove for it.