“I don’t need to be scattered here. I’ve been already.” – Peter Dunning
Peter and the Farm is a gorgeous film, often grotesquely so as it pierces the raw heart of life and death. First, with the stark reality of butchering animals, and secondly, with the depths of Peter’s personal existential crisis.
The monster in Kubo and the Two Strings is a toxic family. It feels like a very personal story wrapped in a beautiful allegory, a tool to deal with some harsh realities many people struggle with as they make their way into the world.
Steven Okazaki’s Black Tar Heroin: The Dark End of the Street was a gripping 1999 HBO documentary that peered into the lives of young heroin addicts on the streets of San Francisco’s Tenderloin district in the years 1995-98. Every story followed was heartbreaking and arresting, but Tracey Helton definitely stood out brutally candid honesty.
He emerged from the Las Vegas, Nevada desert in 1991, parched and confused, nameless and lost. He’d never be who he was again. Born again at 23, two decades of the drama of living was now erased from his mind.
My first grade physical education class gave us the option of sitting out most days. Since I preferred to use that time to escape into other worlds, this was a boon for me. There was another reason I loved sitting on the bleachers during P.E.: there was a young girl who would often volunteer to play with my hair. The sensation this caused in me was like any other. It was comfort and warmth, but it was also a physical tingling that I felt below the surface of my skin. It was the most relaxing thing on Earth.
Assia Wevill was a woman erased for a time, her existence concealed by her final lover, poet Ted Hughes. For decades, he shared very personal things with the world but always wrote Assia out of her own life. More recently, however, Assia’s existence is being retraced again, pieced back together and presented as part of the story of Sylvia Plath and Ted Hughes. After Sylvia died, Assia stepped into Sylvia’s life for a time, like walking into a ghost’s shadow. She cared for Sylvia’s children, lived in her rooms, and finally, six years later, killed herself the exact same way Sylvia committed suicide.
Billie Holiday takes a swig of her drink as she sings into your eyes, and then absentmindedly leaves her glass on your table before she saunters over to seduce the next table. When she vanished the scent of her liquor lingered, rising up from ice cubes in a stinging mint vapor. While she was there, she made you feel like the only person in the crowded room.
WARNING: SPOILERS BELOW! 10 Cloverfield Lane was supposed to be the “blood relative” of 2008’s Cloverfield, but it’s completely unconnected to the original film save a few easter eggs. The film did, however, utilize an immersive internet marketing scheme much like the first game. The content from this game, known as an ARG (alternate reality game) drummed up interest in the film with a series of clues and character information. Unfortunately, the ARG offers little more besides excitement, further direct… Read more »
Kanye West’s drama is addictive, and that’s why we keep watching. As his delirious thoughts bat us back and forth, we find ourselves agreeing and shocked at every turn. He encapsulates a particular feeling, and then immediately finds a way to say something so myopic that almost everyone disagrees with it. He elicits inspiration, rage, confusion and genuine concern for his well-being at neck-breaking turns.
The 1976 film The Man Who Fell to Earth is based on a 1963 novel of the same name, but it seems like it was written specifically for and about its alien-like star David Bowie. When Bowie agreed to make the movie, he was in the middle of a whirlwind of pop success. After several years of trying to break onto the scene, his career had shot off like a rocket. The dizzying rise was getting to him, though, he… Read more »