Jeremy Saulnier, who made waves in independent film with 2013’s Blue Ruin, is back again with Green Room, a perfectly paced horror-thriller. The monsters and scenarios in Green Room are so chilling because they’re familiar and realistic. Saulnier achieved this by ramping up some of the fear-inspiring experiences he had as a young punk scene kid.
Harvey, a 1950 film based on a play by Mary Chase that beat out The Glass Menagerie for a Pulitzer Prize, has a lot to say about how we live our lives. Some of the wisdom in Harvey does ring true, but much of it is bathed in a gauzy romanticism.
In writer-direct Jeff Nichols‘ Midnight Special, 8-year-old Alton Meyer (Jaeden Lieberher, St. Vincent) is a boy who’s never seen the sunrise. When he finally encounters it, he gets some answers about his mystefying life, but the audience never really does.
WARNING: SPOILERS BELOW! 10 Cloverfield Lane was supposed to be the “blood relative” of 2008’s Cloverfield, but it’s completely unconnected to the original film save a few easter eggs. The film did, however, utilize an immersive internet marketing scheme much like the first game. The content from this game, known as an ARG (alternate reality game) drummed up interest in the film with a series of clues and character information. Unfortunately, the ARG offers little more besides excitement, further direct… Read more »
The 1976 film The Man Who Fell to Earth is based on a 1963 novel of the same name, but it seems like it was written specifically for and about its alien-like star David Bowie. When Bowie agreed to make the movie, he was in the middle of a whirlwind of pop success. After several years of trying to break onto the scene, his career had shot off like a rocket. The dizzying rise was getting to him, though, he… Read more »
The Witch draws from the rich history of Christian European demonic lore, exploring it through a psychological family drama where witches are real.
Patricia Highsmith wrote The Price of Salt, the novel that was rereleased as Carol decades later, in 1949 while undergoing intense psychoanalysis in an attempt to get herself into “a condition to be married.” Being gay was so socially unacceptable at that time that even a free-thinking, tradition-bucking, iconoclast like Highsmith temporarily bowed to the intense pressure to mold herself into who society thought she was supposed to be.
“Do you really mean it when you say that?” Rinko asks her boyfriend before they say goodnight. She’s an empathetic, caring girlfriend, but she also has insecurities, flares of jealousy. She can be demanding and stay icy for days if you slight her, but she always forgives as long as you stay attentive. She doesn’t judge.
The Coen brothers’ latest effort, Hail, Caesar, shines not when it’s lambasting showbiz, but when it’s celebrating it. The over-the-top musical numbers are stunning and just as magical as the iconic performances they’re inspired by. These types of displays are the essence of entertainment: an attempt to pull you out of yourself and into a looking glass world that sparkles with song and graceful, effortless movements. They’re dream sequences of the human spirit.
Einar Wegener picked the day he was going to kill himself: May 1, 1930. Months before the looming suicide date arrived, however, Einar was given an unbelievable opportunity. He found he could physically transform into Lili with the help of innovative German doctors. The surgeries were risky, but at that point so was continuing life in the world as Einar. The stakes were high all around, and if there was a way to make Einar disappear so Lili could live, he was going to try it.