The best part of SPECTRE for me was the seamless opening sequence, which was a graceful dance of filmmaking, AND a showcase of what makes the idea of Bond so enticing. It starts with the glorious spectacle of a Day of the Dead celebration in Mexico City, then shows Bond rush to a hotel room with a beautiful woman, change into a suit for the split second the camera’s off of him, and glide out the window and into a… Read more »