29-year-old Christine Chubbok didn’t leave behind a note. Instead, she staged a grand and memorable performance. Looking healthy, well-groomed, and in good spirits the morning of July 15, 1974, the newswoman geared up for a special presentation. “She was in a much better than normal mood. To this day, her enthusiasm puzzles me,” news director Gordan Galbraith said of her demeanor that morning.


I haven’t seen the film, but I recently read the book version of Diary of a Teenage Girl in a few feverish sessions. It’s a devastating book in many ways, but I wanted it to go on and on. It’s shocking, heartbreaking and absolutely honest. There are some universally relatable things explored in the book, but the reason why it is so empowering and captivating is because it so raw and specific. What’s relatable isn’t necessarily the details but the bravery in the telling. My year of being 15 was very different than Minnie’s, but her story makes me feel less self-conscious about my internal world, both now and then.

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The Gift, Joel Edgerton’s directorial debut, debut is a well-paced thriller with several jarring twists, and a couple of authentic “boo” moments leading to an unsettling ending.

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This episode of BoJack Horsemean heavily references an episode of The Larry Sanders show where Larry is caught on security tape knocking over a lady at a grocery store. In BoJack’s case, he just can’t resist being a jerk and denying “dibs” on some muffins a seal hid in the produce section while he went to the bathroom. BoJack doesn’t even want the muffins, he buys them out of spite, and then hate eats the entire box on the way home.

David Foster Wallace
world copyright Giovanni Giovannetti/effigie

David Foster Wallace was an ultimate wunderkind, and he bought into the idea of himself as exceptional to a devastating degree. He was a sensitive person, and sensitive people, especially sensitive smart people, can hold onto the evidence of their specialness like an armor. David Foster Wallace learned the hard way that this type of armor is made of paper, and you can only truly find that out if you dreams come true and you get everything you thought you needed to prove yourself.


Heaven Knows What starts off with desperation and ferocious feeling. Arielle Holmes (playing a version of herself named Harley) is in a library begging a greasy-haired boy to give her the key to his forgiveness. He is unmovable, and his silent opaqueness pushes her further to seek any desperate action that may somehow budge his heart. Her eyes are sharp with a terrible kind of love.

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I just discovered Richard Wright’s Black Boy pretty recently. It’s not quite a direct memoir (many of the personal facts and anecdotes are fuzzy and were inserted for narrative effect) as it a vivid impression of what it was like to be a young black man in 1920-30ss America. It makes that time period from that perspective alive and present. Reading an evocative account of another person’s experience closes the distance between you. We can never fully know what’s it… Read more »


be Like all mental illnesses, bipolar disorder presents in many different ways. Often, however, portrayals of people with this disorder on screen seem caricatured, the humanity of the person obscured by depictions of problematic symptoms. People aren’t bipolar, they have bipolar disorder. More accurately, they have symptoms and behaviors that indicate they fit the criteria in the bipolar spectrum. Infinitely Polar Bear is about a woman (director Maya Forbes) remembering her childhood, and she beautifully translates to the screen her… Read more »